In 2017, after a year and a half of research-oriented workshops, Redshift Music Society will launch the first installations of a new series of music written for our 16 speaker/16 channel sound system “The Redshift Array”.
These new expeditions through uncharted sonic environments will be presented in a series of performances and/or installations and will tour as a sound installations to art galleries and public spaces across Metro Vancouver and elsewhere in British Columbia.
The idea stems from two sources of inspiration: Andre Cormier’s Piling Stone, Piling Sand series of compositions using a solo performer and layering systems (of which we recently presented part IV with Mark Takeshi McGregor playing solo flute in the Vancouver premiere) and Janet Cardiff’s award-winning Forty Voice Motet installation.
Redshift is increasingly focused on a long-term development model of creation, workshopping, production, and dissemination to ensure that each work we foster has ample opportunity to understand and respond to the context of its inception. We aim to expand the toolbox with which composers, and performers can engage in stimulating dialogue with one another and the general public.
Composers writing for the Array in the 2017/2018 Season are
Giorgio Magnanensi, Remy Siu, Annette Brosin, Jordan Nobles, Benton T. Roark, Mark Haney & Ida Nilsen, Jennifer Butler, Colin MacDonald, Brian Topp, Christopher Reiche, Mike Allen and others. Plus there will be an open Call for Works.
Recent Installations and Performances
June 2017 – Greenhouse (Vancouver, BC) Setup, troubleshoot, workshops, readings
June 18, 2017 – Casse-Tête: A Festival of Experimental Music, June 15 to 18, 2017 (Prince George, BC) pieces by Annette Brosin, Jordan Nobles, and Benton Roark.
Upcoming Installations and Performances
July 2017 – Roundhouse Performance Space (workshops and readings of new works)
August 2017 – Concert Performance at the Sameck Studio (Vancouver, BC) Workshops and Concert Presentation
August 2017 – Railtown Rooftop Presentation (Vancouver, BC) Installation and demonstration
October 2017 – A spatial presentation at the Mountain View Cemetery(Vancouver, BC) with music by composer/performers Mark Haney & Ida Nilsen.
November 2017 – Roundhouse Exhibition Hall (speakers spread out among the rafters on the ceiling of the huge exhibition hall performing works by Christopher Reiche, Scott Wilson, Annette Brosin, and Jordan Nobles.
Sample audio from one of the upcoming audio installations. Please picture each single sound coming from a different speaker surrounding the audience.